Witness (2017)
Inkjet prints
Dimensions variable
Artist statement
Source: Charles H. Traub, Rome, 1983, in Charles H. Traub, Dolce Via: Italy in the 1980s (Bologna: Grafiche Damiani, 2013), 85.
Source: Harry Callahan, Egypt, 1978, in Dirk Luckow and Sabine Schnakenberg, eds., Harry Callahan: Retrospective (Heidelberg: Kehrer Verlag, 2013), 39.
Source: Mitch Epstein, Miami Beach I, Florida, 1976, in David Campany, The Open Road: Photography and the American Road Trip (New York: Aperture Foundation, 2014), 35.
Source: Mitch Epstein, Hadrian's Villa, Italy, 1982, in Mitch Epstein, Mitch Epstein: Work (Göttingen: Steidl, 2006), 41.
Source: Bert Stern, Marilyn Monroe Nude with Pink Scarf, 1962, in Norman Mailer, Norman Mailer/Bert Stern: Marilyn Monroe (Cologne: TASCHEN, 2012), 27.
Source: Lele Saveri, [Lying Female Nude with Black Scarf], n.d., in Jesse Pearson, ed., Nudity Today (New York: PictureBox, 2013), 177.
Source: William Eggleston, Southern Environs of Memphis, c. 1969–70, in Kevin Moore, Starburst: Color Photography in America 1970–1980 (Ostfildern: Hatje Cantz Verlag, 2010), 146.
Source: Larry Sultan, West Valley Studio #3, 1998, in Larry Sultan, Katherine Avenue (Göttingen: Steidl, 2010), 85.
Source: Larry Sultan, Corte Madera Marsh, 2009, in Larry Sultan, Katherine Avenue (Göttingen: Steidl, 2010), 119.
Source: Harry Callahan, Cairo, 1978, in Dirk Luckow and Sabine Schnakenberg, eds., Harry Callahan: Retrospective (Heidelberg: Kehrer Verlag, 2013), 169.